Music

Dave Unveils The Boy Who Played the Harp Cover, Reveals Features and 10-Track Listing

O.L.A Unveils “Journey,” a Reflection on personal Growth and Purpose

No Excuses, Just Evolution: Blaqbonez’s Everlasting Taker Marks His Sharpest Form Yet

Album Review: On Industry Machine, ODUMODUBLVCK Returns as the Terminator

From Fela to Mádé: The Unbroken Lineage of Afrobeats Activism

Camos are Fly, but Nigerian Youths Don’t have Wings to Rock Them

Blak Dave, Monochroma, The Third Step, and beyond

Asake is Here for a Good Time and a Long Time

ASAKE RELEASES NEW SINGLE “BADMAN GANGSTA” FEATURING TIAKOLA

Afrobeats to the World: Progress or Facade?

Limoblaze is Building an Unshackled Ecosystem for a New Generation of Believers

HEIS Was the Risk That Redefined Rema’s Legacy

Wizkid and Tems Represent Nigeria on Apple Music’s Top 500 of All Time

Drake Dominates: Most Entries in Apple Music’s All-Time Top 500

Gbogboade Serves Up ‘FLAVOUR’: A 3-Track Feast of Afrofusion & Soul

Nelly Baradi Makes a Sultry Debut With ‘Wake Up’

From Cameroon to the World: Nella’s Sound Is a Celebration of Identity and Rhythm

M.A.D Solutions, Africa’s leading music distributor, announces landmark partnership with Songtools

Llona is Still Shutting Down Cities on his Nationwide Tour

Unlike Anyone Else, Olamide Is Committed to Investing in Local Growth

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Burna Boy’s Albums Ranked: From Good to Iconic

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Tyla wins Big with Two Afrobeats Awards at Billboard Music Awards

Viva Lavida marks the beginning of a New Chapter for Joeboy

Mayorkun releases sizzling single ‘Lowkey’

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The Newest Face of Street Pop

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From Sarz Academy to STARDOM

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Embracing Collective Collaboration with Sore Adebisi 

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