Music

O.L.A Unveils “Journey,” a Reflection on personal Growth and Purpose

Album Review: On Industry Machine, ODUMODUBLVCK Returns as the Terminator

Dave Unveils The Boy Who Played the Harp Cover, Reveals Features and 10-Track Listing

From Fela to Mádé: The Unbroken Lineage of Afrobeats Activism

Sarz ‘Getting Paid’ with Asake, Wizkid & Skillibeng On Protect Sarz At All Costs

AQT’s Olanrewaju: Between Hustle, Celebration, and Home

Cardi B Reveals Features Ahead of New Album “Am I the Drama?”

Stino Pushes Lagos’ Dance Scene Forward With New Afrohouse Cut “FOR ME”

Reimagining ‘Lady’: Bori’s Homage to Fela Kuti

Tyla Scores Back-to-Back VMA Wins

Beyond the Streams: Oxlade on Artistry, Struggles, and Redefining What Success Means to Him

SPINALL Crafts a Lagos Love Letter With His Seventh Album, Èkó Groove

Empire Africa releases “Where We Come From Vol. 2: Soundscapes” and announces expansion into publishing

Rihanna: 20 Years of Reign

DJ VOYST AND THE WARD 99 ERA: RECLAIMING THE PULSE OF NIGERIAN DJ CULTURE

The Genre Blur: A Consequence of Cultural Convergence?

British-Nigerian artist ESSEO returns with ‘Birds Before Land’

OG by Design: Why Tems is Outpacing Time and Redefining Legacy in Six Years

BIEN DROPS FIERCE, SPIRIT-LACED ANTHEM ‘ALL MY ENEMIES ARE SUFFERING’

Camos are Fly, but Nigerian Youths Don’t have Wings to Rock Them

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Rema’s Triumphant Return to the O2

Pyung Nash – From the Streets of Lagos to the World Stage

M.A.D Solutions, Africa’s leading music distributor, announces landmark partnership with Songtools

Nigerian producer Ragee co-produces Chris Brown’s new single ‘Sensational’

Beyond the Streams: Oxlade on Artistry, Struggles, and Redefining What Success Means to Him

Egertton is the Afro-Rage Pioneer to Watch

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The Newest Face of Street Pop

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From Sarz Academy to STARDOM

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Embracing Collective Collaboration with Sore Adebisi 

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