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Music
O.L.A Unveils “Journey,” a Reflection on personal Growth and Purpose
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Album Review: On Industry Machine, ODUMODUBLVCK Returns as the Terminator
Shotayo Ganiu
Music
Dave Unveils The Boy Who Played the Harp Cover, Reveals Features and 10-Track Listing
From Fela to Mádé: The Unbroken Lineage of Afrobeats Activism
Laila Shuaib
Sarz ‘Getting Paid’ with Asake, Wizkid & Skillibeng On Protect Sarz At All Costs
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AQT’s Olanrewaju: Between Hustle, Celebration, and Home
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Cardi B Reveals Features Ahead of New Album “Am I the Drama?”
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Stino Pushes Lagos’ Dance Scene Forward With New Afrohouse Cut “FOR ME”
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Reimagining ‘Lady’: Bori’s Homage to Fela Kuti
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Tyla Scores Back-to-Back VMA Wins
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Beyond the Streams: Oxlade on Artistry, Struggles, and Redefining What Success Means to Him
Peniel Uma
Creativerse
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SPINALL Crafts a Lagos Love Letter With His Seventh Album, Èkó Groove
Balogun David
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Empire Africa releases “Where We Come From Vol. 2: Soundscapes” and announces expansion into publishing
Admin
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Rihanna: 20 Years of Reign
Peniel Uma
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DJ VOYST AND THE WARD 99 ERA: RECLAIMING THE PULSE OF NIGERIAN DJ CULTURE
Admin
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The Genre Blur: A Consequence of Cultural Convergence?
Balogun David
Music
British-Nigerian artist ESSEO returns with ‘Birds Before Land’
Admin
Music
OG by Design: Why Tems is Outpacing Time and Redefining Legacy in Six Years
Sijibomi Anifowose
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BIEN DROPS FIERCE, SPIRIT-LACED ANTHEM ‘ALL MY ENEMIES ARE SUFFERING’
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Camos are Fly, but Nigerian Youths Don’t have Wings to Rock Them
Hodovai Ekpe-Iko
Culture
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Rema’s Triumphant Return to the O2
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Pyung Nash – From the Streets of Lagos to the World Stage
Peniel Uma
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M.A.D Solutions, Africa’s leading music distributor, announces landmark partnership with Songtools
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Nigerian producer Ragee co-produces Chris Brown’s new single ‘Sensational’
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Beyond the Streams: Oxlade on Artistry, Struggles, and Redefining What Success Means to Him
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Egertton is the Afro-Rage Pioneer to Watch
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